Recent movies and books

I watched David Lynch’s Mulholland Drive yesterday, for the second time, and it made a bit more sense this time, but the strangeness was ever present. Earlier this year I also watched Lost Highway and Dune. I like the way he depicts scenes as vignettes. I think this is because, contrary to typical straight arc storylines, it’s a truer reflection of how some of our own minds work.

With my sister, we recently watched Promising Young Woman and The Green Room, both of which were good, intense, and likely not movies I would watch again. There are certain movies where the quality of writing and acting is good, the storyline is engaging, and the visuals are stunning, but that have scenes that are a bit too intense, and remind me of the sensation of hearing certain items drag against styrofoam or chalkboards. I have not yet rewatched American History X or Requiem for a Dream because of the memory of such scenes.

I also finished La peau de chagrin, and have decided it’s a book to reread at some point, hopefully when my French level is more advanced, enough to pick up on more of the nuances. I liked its slightly gothic and fantastic elements. I had also read Pere Goriot a couple of years ago and don’t have the same inclination to reread, as some of the storylines regarding the old man and his daughters were a bit depressing.

To continue with the gothic theme, I’m currently on a reread of The Picture of Dorian Gray, and am very much so enjoying Wilde’s droll and pithy observations regarding art, beauty, and a hedonistic lifestyle.

Closing of another year

When I was younger, I’d imagined reaching certain classical milestones by certain ages, and by one particular year, it turned out that I had met none of those milestones. Instead it turned out to have been a year of listening to Fleetwood Mac, possibly a year where I heard of more passings than of engagements, marriages, and births, and a year of becoming more aware of the fragility of life, in ways that hadn’t felt so sharp previously - but it was also a year of recognising its moments of joys, harder to identify, but present nonetheless.

I’ve found that a particular optimistic certainty I used to carry with me has faded a bit, the one that tells you there will always be a future, that there’s always a next time, always another day. I canceled my winter flights this year, telling myself there’s always next year, but when I thought of my mother, in her middle age, I recognised that the number of Christmases is not infinite (it never is, but that’s the type of thinking a younger self conducts), and when I had the thought that thirty remaining Christmases was perhaps a realistic number, eliminating one of them felt significant.

Though I still recall with clarity the students years - there was a day during high school when my best friend and I went on a wander day, we walked across the different city neighbourhoods and around the man made lake, picking up various friends along the way; there were days as a university student, when we lived with friends in our five bedroom apartment and we watched America’s Next Top Model at the dining table and painted our nails, and one night we shattered a glass coffee table, and in the dark London winter mornings, we walked in pairs across the narrow bridge towards campus - it strikes me that these memories are from a decade past.

I thought that as I got older I would become less sensitive, but this did not seem to be the case. It seemed that when making hard choices, the right thing was almost always, inevitably, the more difficult thing, the one to avoid and brace against. Sometimes this meant reaching out, and other times it means not. It meant recognising another’s pain, and knowing it’s not your place to fix it.

And yet I’ve wanted to hold onto parts of my younger self, the parts from which we experience curiosity and happiness of discovering the new, of seeing something beautiful, of passing a moment of connection. I wanted to find courage and to understand vulnerability, to find balance of passing time both in solitude, and to turn outwards, to step outside the mind of self and to see others and to know them, and to move within this world, as part of it.

I read and reread Joan Didion’s essays about her time in New York and her time in California, and I held on to the image of the Food Fair bag in her essay on self respect. I liked this piece of writing, for the way she had captured this period of her life when the details came together, and as a reader, during a time that made sense. She talked about character, and courage, and Jordan Baker, and I started rereading The Great Gatsby again.

There was a morning where I stepped out of the metro at Esplanade de la Defense at the right minute to be greeted with a red sunrise coming up over a corner of the Arc de Triomphe.

There was a late summer day in Toronto, one of those timeless days, where we walked across the city, passed the afternoon in Trinity Bellwoods park, and on to Kensington Market where we ate Rasta Pasta’s jamaican chicken by a children’s water fountain playground. At some point in the evening we ended up on the outdoor pool patio of a King West apartment, with the city lights and CN tower in the background skyline, where someone mentioned that rich men kept their mistresses in these apartments, and someone else made a dark, unrelated joke that became the inspiration for a group chat called Pamper.

My sister and I found a bolognese sauce recipe, and made it several times. It was our first time using a slow cooker, and we spent afternoons chopping carrots and onions while watching The Good Place.

I went to the Louvre and discovered the French sculpture halls, and learnt that Pigalle and Houdon, names I had only known as a metro station and a street in my quarter, belonged to the names of French sculptors.

We went to a cocktail bar where the bartender reminded us of Edward Norton, and when we tried to go back a second time, passed by a girl lying on the street in the middle of an asthma attack, and we called the ambulance and felt expasteration at a bystanding boy for his naive and youthful idiocy when he thought it would be helpful to pour a cup of cold water on her in the late November night.

I had been feeling unhappy with the apartment, so almost signed a lease for an apartment that was a fifty percent increase in rent, and then deciding I could change things more simply, placed an IKEA order, among which included a white desk and a large rug. ‘What colour rug did you pick?’ my friend asked, ‘white, kind of beige’ was the answer, and we laughed, the same way we did, and always have, since the first days of university. I didn’t have the tools to assemble the desk, and while waiting to borrow them, set up a temporary work place by laying the tabletop part across two stacks of books, and sitting on the floor on the new rug, experienced a sense of freedom and gratitude, feeling as if I have arrived somewhere.

Thoughts on Coffee

It’s time for another coffee. This is a recurring thought, particularly on weekends between the hours of 8 and 3. The weekend coffees are made in a small Bodum french press, so it’s more a matter of frequency than volume, but I find myself wondering if I’m drinking too much coffee.

Like some other foods (pasta, cheese, brussel sprouts), coffee came into my life a bit late. I still remember one of the first coffees I had, a tall from the Starbucks located in the university science library, and I finished it at perhaps two in the afternoon, and later that night was still fully awake at 3 and then 4 am, completely unable to sleep. Even now years later, the late afternoon remains a debatable time, when I start to ask if it’s okay to have that additional cup. I still haven’t understood why some coffees taste more sour than others. I don’t take it with sugar, don’t like it on its own, and prefer adding some form of milk - cow, almond, oat, rice.

I read some articles telling us of the benefits of coffee, and more articles arguing that coffee is bad for us. It’s bad for energy, it’s a drug, we become dependent on it. I’ve considered cutting back myself, particularly when I go without coffee for a couple of days and experience that most noticeable caffeine withdrawal headache, the pressure on the forehead, and find it alarming to be tethered to that daily cup to avoid it.

But I simply adore coffee. There’s that mood lift, one article story comes to mind, about someone who gave it up for health reasons but said they never felt quite as good as they did while on coffee. And there are the associations that come with coffee. The warmth of a café, with its wooden tables and easy music, and the bowl mugs holding café latte. Coffee is a steady companion to books and writing, and a quiet facilitator of conversation between friends somewhere out along a cobblestoned sidewalk, it’s in the backdrop of many a Gilmore Girls episode where Rory and Lorelai are constantly going for coffee at any hour, their answer of how to make the day a little better.

Paper and the Pentel RSVP pen

The other morning I woke up thinking about paper. 

I remember writing on lined paper, the Hilroy notebooks in elementary school for social sciences and reading logs, and their packs of loose leaf paper that could be organised in metal three ring binders for high school classes. A few years ago, I started writing on blank unlined paper, in landscape, with boxed headers placed across the page. This was a good way to write because I find linear writing challenging, it takes a long time to write emails, there is cutting and pasting of entire paragraphs to different locations in the body of the message to produce a logical presentation of thoughts.

As someone who likes writing, I would have thought I would want to write on good, high quality paper, but I simply like bad paper better.

Good paper tends to be thick and creamy, the G. Lalo paper used for writing notes to others has these qualities. But for ideas, notes, lists, the majority of daily writing activities, there is strong partiality for bad paper. The best one comes from a spiral bound notebook, the brand is perhaps Selectum, found at the dollar store. Recently I was at Walmart and picked up a 97 cent Composition notebook, it's great, I tear the pages out from the middle. 

The thing about cheap, bad paper is that it's thin. Writing on this paper over a flat piece of marble, granite, glass, or hardwood, the pen remains on top of the surface, it does not sink. I avoid writing on surfaces that have texture (wooden tables with ripples, plastic ones that are pebbled), as they produce uneven letters. I also try to minimise writing in notebooks, over layers of pages. Yes, it's particular, but there is something about the pen sinking into the paper, producing thicker letters, that I do not like. The combination of thin paper and a marble surface produces writing that is precise and fine. It mimics the effect of pencil and I suppose this is the personal aesthetic that appeals most. I recall one year at university, in chemistry labs we submitted our reports in pen and the teaching assistant handed back one report because he thought it was in pencil. 

The other contributing element of this pencil-like appearance of writing is the pen. I can't remember when I first started to use these, either in middle school or in high school, I might call up my friend S and ask her at some point, as she is the only person I know who also has a strong and particular fondness for the Pentel RSVPs, specifically the 0.7mm in fine point. The black one is key, the blue is sometimes in use, and I also have the red, green, and purple ones. When we lived together in Toronto, S would sometimes receive these from work, and we would pick out all the fine points and leave the medium ones. We both moved to Europe and jokingly, but with a slight undertone of 'but no, seriously', discussed how we couldn't find these in London or Paris. Last year, on a trip back from North America, S visited me in Paris and showed up with a box of 20 pens, quite an excellent gift, and I am set for the next several years. I sometimes think about stocking up, but I'm not sure how long ballpoint pens can last, does the ink dry out? I hope they don't discontinue these.

Naturally I have picked up and tried out other pens. Before Muji came to Canada, I came across their gel pens in Hong Kong. At one point I had a Parker pen but am not sure where it is now. I remember a blue medium point Bic pen writing well on a stack of paper and may one day try that combination again. But as far as standards go, it is the RSVP to which I return. They last an incredibly long time, I suppose a hallmark of most ballpoint pens, and I have managed to finish a few, the rare ones that don't go missing or become lost before then. When people ask to borrow a pen, I try to keep some other pens around for this very occasion, but if I have no others handy and am obliged to give the RSVP, I do my best to remain casual about it, while keeping track of it and sometimes preparing a polite face and going to ask for its return. I know, it's a bit awkward to ask for a pen back, but it would be useless to deny the attachment I have for these, and my mind would not let it be. There is something about the hours and words and markings that bring you to the end of the ink.

Friday evening

It was a Friday evening, I was leaving work, and was in a mood of vague dissatisfaction. As I arrived at Esplanade de la Defense, I thought of the metro stops that were to come. Charles de Gaulle Etoile was going to be busy, and the transfer at Concorde was going to be busy. I thought about these underground tunnels, with their concrete floors and tiled walls and curved ceilings. I pass these stations all the time, and sometimes I forget what is above them. I decided to get off at Charles de Gaulle and take the bus instead. Seeing the Arc de Triomphe grounds me. Paris has a way of doing that, when you stop to observe and think about what you're seeing. 

I was listening to a podcast and one of the speakers mentioned that we spend so much of our time alone. It made me wonder what other people do when they are alone, those little habits or routines that never get mentioned in conversation. I have spent hours removing pills and lint from my winter coat. I take out all my shirts from the dresser, refold them and stack them vertically in Marie Kondo style. The other day I put my spice bottles in bowls of water to more easily remove their labels. I make lists. Lists of books I have read, books I want to read, books to buy. Sometimes when it's cold, I turn on the heater, stand in front of it, and spend ten minutes looking at the metro map of Paris, memorizing the stations. I collect receipts to write lists on the back of them. I copy down phrases from books. Occasionally I write to others in full sentences. I try my best to leave the fragmented sentences and sentimental messes for myself.

In an Orwell essay, he wrote that he continued an ongoing story in his mind, a description of the things he was doing and the things he was seeing. This evoked a feeling of kinship and recognition within me, and I wondered if others do the same. 

One time on the metro I saw a tall man lose his balance and bring his foot down hard on the foot of a girl. I expected anger. Instead the girl doubled over in pain and did not look at the man. He gave a brief apology and then it was over. Another time, a middle aged woman, round and inelegant, came into the car, carrying an old and dirty dog in her arms. She was sad and tired. She stroked the dog's head. The only times I have seen anyone look at their pet that way is when they are about to say goodbye. The car was crowded, every seat was occupied. After a couple of stops, a girl - skirt, heels, red lips - stood up, looked at the woman, and gave up her seat for the woman and her dog. 

French words and their non-equivalents

'Merci'. HelpDesk had once again helped me with something for my laptop. Whereas I had become accustomed to hearing 'that's not my job' and 'that's not [department]'s role' as a response, this one individual stood out for his reputation of taking on all requests and trying to solve them. Another colleague was there and I asked them how to say 'you're so helpful' in French. A pause, and then 'there's not really an exact word. Utile, or perhaps serviable.' Not quite, I wasn't looking to say someone was useful or of service, both words sounded a bit uncomfortably calculated. 

In elementary school, a teacher told us not to use the word 'nice' - it was boring and overly common. I think she had a point. I have the opposite reaction to the French word 'gentil'. I interpret this word as sitting somewhere between 'nice' and 'kind'. Yet whenever someone in France says 'oh, c'est gentil' (once when I brought croissants for the office, once when I gave a present), I can't help but adore the moment. Perhaps it is because I hear it so sparingly, and I think it's because of its relatively low use that makes it so endearing - it comes forth in spontaneous moments of sincerity. 

Un petit mot

I love book learning. Perhaps I find it easier at times to read, in the comfort and safety of solitude, than to expose myself to the realities of being in front of other humans.

The questions that philosophy deals with, we face in our lives every day. And though we may know how we ought to be, living it out is almost an entirely different experience. 

But we can learn. We can read and we can reflect and then we can try again the next day.

Remaining Paris Photos

This is the final post of autumn photos taken in Paris.

Outside the Jardin des Plantes, a group of Parkour students were practicing balancing and jumping exercises. 

Outside the Jardin des Plantes, a group of Parkour students were practicing balancing and jumping exercises. 

On Ile-de-la-Cite, there is an open area, and on this day it was occupied by these jumping children. 

On Ile-de-la-Cite, there is an open area, and on this day it was occupied by these jumping children. 

Nuit Blanche 

Nuit Blanche 

Le Penseur

Le Penseur

On the first Sunday of each month, many of the museums and art galleries in Paris grant free admission to the general public. Taking advantage of this, I headed over to the Rodin Museum. 

Le Penseur (The Thinker) is one of Rodin's most famous and recognized pieces, and sculptures are often replicated from the same cast and shown throughout the world. I had also seen a previous one in the National Gallery of Art in Washington D.C. 

Outside the Rodin Museum

Outside the Rodin Museum

By the Hotel des Invalides

By the Hotel des Invalides

Hotel des Invalides, where you can find the tomb of Napoleon.

Hotel des Invalides, where you can find the tomb of Napoleon.

Jardin du Luxembourg

Jardin du Luxembourg

There is a pair of stone lion statues at one of the garden entrances.

There is a pair of stone lion statues at one of the garden entrances.

The garden is large enough for mini pony rides for children.

The garden is large enough for mini pony rides for children.

Cafe de Flore

Cafe de Flore

Canal Saint-Martin

Canal Saint-Martin

Paris and the Day After

My roommate returned from Bagelstein and said something along the lines of 'I think there was a shooting just down the street, there are a lot of police cars and ambulances.' I am confused. I think it's something small, a bar fight, some drunken violence. We turn on the tv and as the hours go by, and the updates come in, the situation becomes more and more surreal. The numbers increase. More locations. More bodies. The borders are closed. It's a national state of emergency. I stay up until 4:30 in the morning. 

I wake up past noon. I make coffee. I'm not hungry but I prepare a meal - pasta and salad. A handful of mâche (lamb's lettuce) and a handful of roquette (arugula). I concentrate on slicing my cherry tomatoes, perfectly down the vertical, into equal halves. Pepper, paprika, olive oil, lemon juice. I shower and put on makeup. I want things to be artful and graceful. 

My roommate and I put on music, 90s sentimental. We decide to go out, down our street, down Charonne. A five minute walk. We are surprised to see many people out, it feels normal. We arrive at the corner opposite La Belle Équipe. There are crowds in front of the closed restaurant, we think they are lighting candles. There are tv vans and reporters. We look at the store behind us and see bullet holes in the glass. I do not want to take a picture. I am suddenly nervous and I tell my roommate I want to go. I think of clichés. Criminals don't return to the scene of the crime. The randomness overwhelms me, the bullet holes scare me. I don't know where to go. 

We see Jeff de Bruges, a chocolate shop. I buy 8 Euros worth of chocolates and we eat some. We eat at a fallafel place on Rue de Roquette. A group of Americans come in and try to order pizza in English and Spanish; I am tempted to help translate but they seem to manage okay. My roommate drinks her Fanta and half of mine. Outside, we part ways. I tell her "I promise I'll be back." I realize I can't be certain I can keep a promise like that. 

I think about the locations of some of the attacks - Charonne, Voltaire, République. The main metro line that I take is the one that has stops at these locations. I go to Voltaire Metro station. There are not many people on the platform. This is the first time I am truly afraid. I get on the train. There are not many people in the car. I watch the stations pass. I hold my breath at République. I think about taking the same metro back home later; I wonder if there is a bus instead; I think about the London metro bombings. I transfer at Strasbourg-Saint Denis. When I get to the platform, I have difficulty breathing. I touch my throat and I can feel that my pulse is elevated. I wonder what a panic attack feels like. I become more afraid and I want to give up and start crying. The train comes and I sit down. I notice the man beside me is reading Talleyrand. I brought Fitzgerald with me, This Side of Paradise. I open it and try to focus on the words. I still want to cry; two things stop me. A teenage girl sits down across from me. She is wearing a sweater that has a letter K sewn on backwards. And I hear two English speakers. They talk about Ottawa. I look over and tell them my family lives in Ottawa. We exchange a few words about the smallness of the world and it's enough to get us to Saint-Michel. When I get out of the station, I feel free and I start to cry. I go down a dark street and sit on a step at the corner of Rue Serpente. I hope nobody talks to me. Nobody does. I think about randomness and uncertainty. 

I go to my bookshop, and down in the basement where the used books are, I feel safe, surrounded by old books and fellow solo book hunters. I settle into my familiar habit of going through the books, going through stacks and stacks of titles, English and French.

I go to my café. It is not a cool place and it is never full. The café crème is overpriced and the cream yellow and forest green decor is ugly. But it is familiar and it is close to my bookshops and I feel safe there. 

I sit and I look out the window. I see toddlers. One falls, cries, gets up and clutches her knees, then flops over her mother's shoulder. Two girls walk by, one with a beautiful purple velvet hat, covering her hair that is caught in the wind behind her. The cinema across the street is still open. 

I think about existentialism - nothing matters except the human experience. I think about nihilism - there is no meaning. I think about Camus and absurdism - to know that even though there is no meaning, to go ahead and make the most of it anyways. I think I like Camus, he sounded hopeful. 

I think about the messages I received. People came out of the woodwork of a life's history. People from years of shared life, people I met once. People I love and once loved. I think they all knew I was okay - you never actually expect the people you know to be the ones who don't respond. But there are the people who received messages and their loved ones received no response. 

I don't feel anger or hatred. I don't feel much of anything. I feel like I am standing at an edge, a sliver, and around me things are crumbling and falling, bodies falling, and I am standing still. I think about Joan Didion's collection title, We Tell Ourselves Stories in Order to Live. We want to make sense of things. Do things make sense? Where does violence and hatred come from? What impels us as humans? We all feel; we all feel deeply. Where do we channel it? Does it make sense? What is it that we can withstand? What is it that we can accept and live with? Faced with hate and anger, do we push back equally? Or can we absorb, catch it gently, let it cut through and bleed out, to be released? Courage, its root word is heart, coeurAvec coeur, even a bleeding broken one, is it a way?

I want to be still and to bring to me love and art and beauty. Do things like art and beauty make sense? Perhaps they are equally senseless and equally meaningless as hatred and violence, but perhaps they are the counterpoint, the vessels carrying the light counterpoint. I want to gather small life details to me - the tomatoes, the toddlers, the purple velvet hat - to gather them into a house that is a haven, a beautiful construction that can absorb and withstand the outside, to shield. 

My café closes early tonight, I leave and go to the metro again. I do not want to cry. I offer my seat to a small old lady. She smiles at me and refuses and I insist, and during our back and forth, some guy takes the seat. He picks his nose. I want to punch him (for the seat taking, not the nose picking). The voices of Sara Bareilles and Ingrid Michaelson fill my ears - Is love alive? 

The stations go by and this time I am calm. République, Oberkampf, St. Ambroise, Voltaire, and then - Charonne.

I go home.

A few Parisian details

As we say some people are photogenic, can we say that Paris is a city that lends itself to be well photographed?

When I looked through my pictures from these past weeks, what I noticed are the minor details of the city. The famous architectural monuments are of course beautifully designed and constructed, but what I also appreciate are the less obvious details of non-main street cafés and bakeries, in areas best known by local inhabitants.

Residence buildings and shops are created out of more wood and stone than steel and concrete. Cheese shop awnings are composed of cloths and faded lettering. Cafés have patterned wicker patio chairs. There are streets of smooth cobblestones on the ground and fine lamps above them. In the following pictures, I had hoped to show some of these details, so that you could see Paris not only in its glamour, but also in its everyday.

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Père Lachaise cemetery is one of my favourite places in Paris so far. Even though it is a well known landmark, I haven't seen it overly crowded, perhaps due to its large size or its being located a bit out of the core centre.

I sometimes go there in the hour before it closes. I like walking on the cobblestones, especially for the way they can feel slippery and be uneven at parts.

I have read Poe's poem, The Raven, but it was in this cemetery where I first saw actual ravens perched on tombstones. It was hard capturing them through the lens, but apparently cats are also cemetery creatures, and they make for easier photo subjec…

I have read Poe's poem, The Raven, but it was in this cemetery where I first saw actual ravens perched on tombstones. It was hard capturing them through the lens, but apparently cats are also cemetery creatures, and they make for easier photo subjects.

Is it amusing to anyone else to see Frédéric Chopin's name shortened to Fred? Other famous people buried here include Jim Morrison, Molière, Oscar Wilde, and Marcel Proust.

Is it amusing to anyone else to see Frédéric Chopin's name shortened to Fred? Other famous people buried here include Jim Morrison, Molière, Oscar Wilde, and Marcel Proust.

A small hidden alleyway in the Marais lined with residences and shops of vibrant and pale colours.

A small hidden alleyway in the Marais lined with residences and shops of vibrant and pale colours.

Le Marché des Enfants Rouges is a market located in the Marais and serves Moroccan, Italian, French, and Lebanese foods. The shawarma from the Lebanese stall was made with arugula (known here as roquette, or rocket salad). My nerd brain amused …

Le Marché des Enfants Rouges is a market located in the Marais and serves Moroccan, Italian, French, and Lebanese foods. The shawarma from the Lebanese stall was made with arugula (known here as roquette, or rocket salad). My nerd brain amused itself with the language play that a bookstore is called a librairie, and a library is called a bibliothèque

And my nerd heart is happy exploring the bookshops that seem to be everywhere, from small independent stores to the massive retailer Gibert Joseph. The one located in Saint-Michel is like a department store of books, with escalators for multiple lev…

And my nerd heart is happy exploring the bookshops that seem to be everywhere, from small independent stores to the massive retailer Gibert Joseph. The one located in Saint-Michel is like a department store of books, with escalators for multiple levels. One of the first things I noticed is that many book covers and spines are white, in contrast to the colours found on the shelves of Chapters and Indigo.

37 rue de Bûcherie is the home of Shakespeare and Co, a famous bookshop that has a quirky interior and history. In addition to offering an impressive collection of English books, it also contains a number of eclectic items, such as an…

37 rue de Bûcherie is the home of Shakespeare and Co, a famous bookshop that has a quirky interior and history. In addition to offering an impressive collection of English books, it also contains a number of eclectic items, such as ancient typewriters, a piano, a reading room filled with old books, and a few beds.

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My friend from Bretagne (Brittany) explained that crêpes are a specialty of her region, and are typically paired with cider, even the salty ones. Strange to hear at first, but tasted delicious.

Fun name for a bagel chain eh? My friend took me here and the bagels were delicious, but I almost think half the fun came from repeating its name.'Can we go to Bagelstein?' 'When are we going to Bagelstein?' 'Let's go to Bagelstein!'

Fun name for a bagel chain eh? My friend took me here and the bagels were delicious, but I almost think half the fun came from repeating its name.'Can we go to Bagelstein?' 'When are we going to Bagelstein?' 'Let's go to Bagelstein!'

In the 11th arrondissement, rue de Lappe is one of the streets filled with an assortment of bars and boutiques.

In the 11th arrondissement, rue de Lappe is one of the streets filled with an assortment of bars and boutiques.

Notre Dame is located on Île de la Cité, one of the islands in the Seine river, and can seen from many of the central bridges; this is one of the bridges covered with love padlocks. I had seen these types of locks one other time, when I lived in Korea, and I wonder if the practice originated from France. I haven't been to Japan, but I get the impression that French culture is admired there as well - there is even a condition called Paris Syndrome that occasionally affects (mainly) Japanese tourists.

The Montmartre area is home to one of the tallest hills in Paris and is known for the Sacré-Coeur Basilica, the art scene, and some seedier nightlife activities.

From the top of Montmartre.

From the top of Montmartre.

And of course, a visit to Montmartre is incomplete without passing by the infamous Moulin Rouge nightclub.

And of course, a visit to Montmartre is incomplete without passing by the infamous Moulin Rouge nightclub.